Review: Five Nights at Freddy’s 2 ★★★

Five Nights at Freddy’s 2 is back with more blood, more shadows, and definitely more things you don’t want coming to life after dark. As a continuation, it does what sequels are supposed to do: turn the volume up on the scares and give fans plenty of animatronic chaos to chew on. The tension is thicker, the visuals are cleaner, and the film isn’t afraid to let the gore breathe a little.

But here’s the thing—while the movie gets louder, it doesn’t necessarily get better. The excitement never quite rises beyond the surface, and the story feels like it’s running on fumes. There’s intensity, yes, but not much evolution. It’s a sequel that wants to be bigger without actually being bolder.

Performance-wise, it’s a mixed bag. Josh Hutcherson returns, but the spark we were hoping for just… isn’t there. His performance feels oddly muted, and he spends most of the film looking like he’s waiting for someone to tag in. Honestly, this is one of those movies where a strong female co-lead could’ve helped carry him into more impactful territory—because on his own, he doesn’t quite land the emotional beats.

The young actress as the little girl has one truly memorable moment—about two minutes when she’s under the influence of the Marionette—and she absolutely shines there. But the film barely gives her anything else to work with, which is a shame, because that flash of talent deserved more space.

In the end, Five Nights at Freddy’s 2 is a fun enough return to the franchise—creepy, atmospheric, and loaded with the kind of visuals fans will appreciate. But without stronger performances and a story that actually pushes forward, it settles comfortably into the middle: good for a late-night watch, but not quite memorable enough to haunt you afterward.

They’re not just at Freddy’s anymore. 

In 2023, Blumhouse’s box-office horror phenomenon Five Nights at Freddy’s, based on the blockbuster game series by Scott Cawthon, became the highest-grossing horror film of the year. Now, a shocking new chapter of animatronic terror begins. 

One year has passed since the supernatural nightmare at Freddy Fazbear’s Pizza. The stories about what transpired there have been twisted into a campy local legend, inspiring the town’s first ever Fazfest. 

Former security guard Mike (Josh Hutcherson) and police officer Vanessa (Elizabeth Lail) have kept the truth from Mike’s 11-year-old sister, Abby (Piper Rubio), concerning the fate of her animatronic friends. 

But when Abby sneaks out to reconnect with Freddy, Bonnie, Chica, and Foxy, it will set into motion a terrifying series of events, revealing dark secrets about the true origin of Freddy’s, and unleashing a long-forgotten horror hidden away for decades.

The cast of Five Nights at Freddy’s 2 includes returning co-stars Theodus Crane as Jeremiah and the legendary Matthew Lillard as William Afton. The film features new characters played by Freddy Carter (Shadow and BonePennyworth), Wayne Knight (Jurassic ParkSeinfeld), Mckenna Grace (Ghostbusters franchise, Annabelle Comes Home) and horror icon Skeet Ulrich (ScreamRiverdale). 

Five Nights at Freddy’s 2 is directed by acclaimed returning filmmaker Emma Tammi and is written by game series creator Scott Cawthon.

The filmis produced by Blumhouse founder and CEO Jason Blum and Scott Cawthon, who together produced the first film. The executive producers are director Emma Tammi, Beatriz Sequeira, Christopher Warner, Russell Binder and Marc Mostman. 

The first Freddy’s film opened to a record-shattering $80 million in October 2023 and went on to earn almost $300 million worldwide. 

Genre: Horror

Cast: Josh Hutcherson, Piper Rubio, Elizabeth Lail, Freddy Carter, Theodus Crane, Wayne Knight, Mckenna Grace, with Skeet Ulrich and Matthew Lillard

Director: Emma Tammi

Written by: Scott Cawthon

Based on the Video Game Series “Five Nights at Freddy’s”

by Scott Cawthon

Producers: Jason Blum, Scott Cawthon

Executive Producers: Emma Tammi, Beatriz Sequeira, Christopher Warner, Russell Binder and Marc Mostman

Rated PG-13 for violent content, terror and some language.

REVIEW: HIM ★★★★★

If you’re seeking a film that cleverly blends genre, mood and unexpectedly deep heart, then look no further than HIM by Jordan Peele—a triumph of smart scares, meaningful emotion and richly layered storytelling.

From the opening frames, HIM establishes an atmosphere that’s quietly unsettling, then gradually builds into something unforgettable. Peele’s command of tone is impeccable: he balances the uncanny and the everyday, delivering moments of tension and surprise without ever losing sight of the characters at the centre.

The lead performance is nothing short of riveting. We meet a protagonist whose fears and desires feel startlingly real, making each supernatural or thriller beat feel grounded in genuine emotional stakes. The relationships onscreen crackle with authenticity, and when the story pivots into high-intensity territory you’re already invested—so the payoff lands hard.

Visually, HIM is striking. The cinematography captures ordinary spaces—homes, hallways, familiar rooms—then transforms them into places of dread and wonder. The sound design supports this metamorphosis beautifully: subtle creaks, long silences, and then the sudden jolt. It’s never gratuitous; the film builds its scares the way a master craftsman sculpts, patiently, deliberately.

What elevates HIM beyond a typical genre entry is how it engages with deeper themes. Identity, legacy, memory—these ideas quietly inform the narrative, giving it weight beyond the thrills. You’ll find yourself thinking about the film long after the credits roll, and maybe noticing things you missed on first viewing.

Peele stands confidently at the intersection of horror, psychological drama and social commentary, and HIM feels like a mature evolution of his voice. It doesn’t rely on cheap jump-scares or gratuitous shocks; instead, the tension is rooted in the characters’ vulnerability and the ever-present sense that something is off.

In short: HIM is smart, stylish and emotionally resonant. It’s rare to find a film that satisfies on both the visceral level (yes, you’ll jump) and the reflective one (yes, you’ll think). Highly recommended for anyone who wants more than just a scare-ride—this is one of those movies that earns its place in the conversation.

Don’t miss it.

Genre: Horror

Cast: Marlon Wayans, Tyriq Withers, Julia Fox, Tim Heidecker, Jim Jefferies

Director: Justin Tipping

Screenplay by: Zack Akers & Skip Bronkie and Justin Tipping

Producers: Ian Cooper, Jordan Peele, Win Rosenfeld, Jamal M. Watson

Executive Producers: David Kern, Kate Oh 

Rated R for strong bloody violence, language throughout, sexual material, nudity and some drug use.

REVIEW: JURASSIC WORLD REBIRTH ★★★★★

From its thrilling opening roar to its sweeping, emotionally charged finale, Jurassic World: Rebirth absolutely soars. Right out of the gate, the film grabs you and doesn’t let go—balancing jaw-dropping dinosaur set-pieces with surprisingly human, heartfelt stakes, and all wrapped up in lush visuals that immerse you completely.

What stands out most is how the filmmakers respect the legacy of the franchise while injecting fresh vitality. The look and feel of the world feel both familiar and new. The dinosaurs are magnificent — rendered in full scale, visceral and alive — and they dominate the screen with real presence. At the same time, the human characters aren’t mere bystanders: we see real arcs, real emotion, and in some cases, real transformation. That combination gives the action meaningful weight.

One of the film’s major triumphs is its pacing. There’s a sense of constant momentum — whether we’re moving through jungle ruins, flying over storm-lit waters, or caught in the heart-pounding chase of predator vs prey. Yet the film never sacrifices quieter moments: there are scenes of reflection, of awe, even of tension raised through silence and look. These beats keep the spectacle grounded and amplify the payoff when the big moments arrive.

The performances hit their marks with sincerity and energy. The returning protagonists bring gravitas and charm, while the newer faces add fresh sparks and dynamics that rejuvenate the ensemble. The villainous forces feel genuinely threatening — not cartoonish — which makes the stakes feel real. And yes: the nostalgia is handled gracefully. We see nods to earlier films without being chained to them, allowing the story to strike out confidently on its own.

Visually and sonically, the film is a feast. The landscape photography, the dinosaur CG artistry, the editing rhythm, and the sound design all work in concert to craft an immersive experience you’ll remember. One sequence in particular stuck with me: when the night-storm hits and the dinosaurs emerge from the darkness — the combination of rain, thunder, and massive beasts slap in like a punch you didn’t know you were waiting for.

Ultimately, Jurassic World: Rebirth delivers the kind of blockbuster experience that both longtime fans and newcomers can thrill to. It respects what came before, while building something fresh, bold, and emotionally resonant. My only “complaint” (and it’s a good kind of complaint) is that it hits you with so much fun and heart that you’ll wish the ride were a little longer. But maybe that just means I’ll be back for another one.

In short: big, bold, exciting, and surprisingly touching — this is the kind of summer-epic that makes you glad you went to the movies. Highly recommended.

Genre: Epic Action-Adventure

Cast: Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, Manuel Garcia-Rulfo, Luna Blaise, David Iacono, Audrina Miranda, Philippine Velge, Bechir Sylvain, Ed Skrein

Director: Gareth Edwards

Screenplay by: David Koepp, based on characters created by Michael Crichton     

Producers: Frank Marshall, Patrick Crowley

Executive Producers: Steven Spielberg, Denis L. Stewart, Jim Spencer

Rated PG-13 for intense sequences of violence/action, bloody images, some suggestive references, language and a drug reference

REVIEW: How To Train Your Dragon ★★★★★

Toothless, Timeless, and Totally Worth It!

Okay, deep breath—because the live-action How to Train Your Dragon just flew straight into my heart and crash-landed in my feelings (in the best way possible).

Let’s talk visuals: this movie is jaw-droppingly beautiful. The dragons? So real I could practically feel the wind from Toothless’ wings. The hidden world? Glowing. Lush. Absolute eye candy. And the score? Pure magic. It swells at all the right moments, tugging you right into the skies with Hiccup and his crew.

Now, the cast—chef’s kiss. The performances feel rooted and real. Hiccup’s awkward charm? On point. Astrid’s strength and quiet loyalty? YES. And the chemistry? Like dragon fire—slow build, then boom. It’s clear everyone came with respect for the source material and brought heart to every frame. You can feel the love.

This isn’t just a rehash—it’s a revival. A love letter to growing up, letting go, and holding onto what matters. Whether you’re a ride-or-die DreamWorks fan or coming in fresh, this version soars on its own wings.

So yeah—grab your popcorn, buckle up, and let this dragon take you way up. It’s bold. It’s beautiful. It’s everything I hoped for and more.

10/10 would train a dragon again.

Review: “Joker: Folie Á Deux” ★★★

In the film set to be Joaquin Phoenix’s return as Gotham’s notorious clown, he finds love and his voice with his leading lady, Lady Gaga as Harleen Quinzel.

Unfortunately, all the hype surrounding this film was just THAT… a hype. The film fell flat even more so as a musical. You’ve got two stars who shine on their own stages, but for some reason it just did not work on the big screen with the two of them.

I really didn’t comprehend the desire to want to turn it into a musical. The first film worked so well with it’s intensity and gore, so why change the formula. Just add a little love from Harleen and some drama sprinkled with a little blood and it would have worked with these two demented lovers.

I will say Joaquin Phoenix slips right back into his iconic role of Arthur Fleck. His physique with his pale skin and his distraught figure was the same as if he never left it, and he finds ways to take the character to even further depths.

Don’t get me wrong, Lady Gaga does delivers a grounded but still captivating performances as Harleen, it’s impressive because it seems like she’s not given a lot to work with.

SYNOPSIS:

From acclaimed writer/director/producer Todd Phillips comes “Joker: Folie À Deux,” the much-anticipated follow-up to 2019’s Academy Award-winning “Joker,” which earned more than $1 billion at the global box office and until recently was the highest-grossing R-rated film of all time. The new film stars Joaquin Phoenix once again in his Oscar-winning dual role as Arthur Fleck/Joker, opposite Oscar winner Lady Gaga (“A Star Is Born”).

“Joker: Folie À Deux” finds Arthur Fleck institutionalized at Arkham awaiting trial for his crimes as Joker. While struggling with his dual identity, Arthur not only stumbles upon true love, but also finds the music that’s always been inside him.

The film also stars Oscar nominees Brendan Gleeson (“The Banshees of Inisherin”) and Catherine Keener (“Get Out,” “Capote”), alongside Zazie Beetz, reprising her role from “Joker.”

Phillips, who was nominated for Oscars for directing, writing and producing “Joker,” directed “Joker: Folie À Deux” from a screenplay by fellow Oscar nominee Scott Silver & Phillips, based on characters from DC. The film was produced by Phillips, Oscar nominee Emma Tillinger Koskoff and Joseph Garner. Lady Gaga served as music consultant. The film’s executive producers are Michael E. Uslan, Georgia Kacandes, Silver, Mark Friedberg and Jason Ruder.

Working with Phillips behind the camera are his team from “Joker,” including Oscar-nominated director of photography Lawrence Sher, production designer Mark Friedberg, Oscar-nominated editor Jeff Groth, and composer Hildur Guđnadóttir, who won the Oscar for her work on the first film. New to the team is Oscar-nominated costume designer Arianne Phillips (“Once Upon a Time in… Hollywood,” “Don’t Worry Darling”). Ruder is the film’s executive music producer and the music supervisors are Randall Poster and George Drakoulias. Casting is by Francine Maisler (the “Dune” films, “Challengers”).